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        天可蓮見

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        Speaking of "The Godfather" protagonist Michael's life, many people behaved evaluation is turned into an endless fall, thereby shedding step by step process of the human shell. People always seem to relish the old godfather, said that despite his extraordinary means, but there is still tender feelings of humanity, and Michael almost cruel, cold-blooded, psychotic synonymous. In fact, looking back at "The Godfather", Michael is my understanding of the fate of the most tragic characters, as he was champion of Lu Xun alone, traveled alone in the dark. "The Godfather" Michael is the fate of three main line runs through its ambitious narrative structure has always been praiseworthy man to show the essence of the role of Michael in terms of the mentality or the carrier. Let us remove the head of the godfather of Michael halo, from the perspective of human nature to analyze the tragic fate of his tragic life can be summed up in one word: alone. Can say that the eyes of his father Michael has been a peak. Unlike the third generation of Godfather Michael Vincent, the nature of the desire for power is not fanatical, he is completely out of his father's love of family. He once said that I do not want to be like him, but I love him. The pure love, so that after the accident he heard his father, desperate to protect their loved ones. Found in his father arrived at the hospital had been shot once again facing the danger, the camera shows the most touching scene: he fell on his father bedside, gently stroking his father's old face, said nothing, Dad, I to protect you, me and you. Then kissed his father's forehead, leaving the father could not move his party tears. In the most perilous moment the whole family, the father life threatening at any moment, he can not consider all of the sacrifices made by their own, decided to take on drug lords and the police chief to remove the task. Please note that before this he had never directly intervene in family affairs. We see the end of the second firm flash gyrus Michael leave school to join the army already had on their future plans, but now all been actively involved in family affairs, people stand to one side, and to destroy his life by Michael the expense of the future to restore his father's life. Videos in shaping the image of Michael is very attention to the use of eyes, this is Pacino the actor's greatness. Michael has been very firm eyes watching the same direction, many people commented that you looked at his empty eye hole, there will be chilling feeling, but in Michael to shoot drug dealers and the police chief, his eyes is the only time when scattered. He did not watch each other, but bowed his head, such as constantly looking for something out of the window with the sound of approaching trains, the atmosphere more and more nervous, but Michael's eyes are more free, finally, he decided to carry a decision on the fate of his hand fired the bullet. This is a major focus of rendering is to show Michael the biggest turning point in the fate of the psychological state of temporary confusion in his eyes he can see how intense the ongoing ideological struggle, because he has to pay, is his life. After this point, as his solemn eyes, Michael embarked on a path of no re-added. Father has been strongly opposed to his involvement in family affairs, in his post-injury to get rid of the enemies heard that Michael, the lens appears in her father's fading face, shook his head and closed his eyes and I sigh, as the father of Shangqie Michael's future has been destroyed bitter, Michael how much I have to bear the pain? But Michael never showed it. Godfather in the old garden talk with Michael in that scene, the camera is very clever deal, the two of them one after the other, suggesting the transfer of the last two generations, the father of the lens front, said: I did not want you to interfere in the hope that Can you come out ahead, I hope you can become governor of Lyon. And in late position to think about Michael at this time is no longer simple, he has to play alone, from the family's affairs. On the one hand, he assured the family to console his father, one must also work hard to achieve his father hoped he was the head has become the legitimate hopes of the world's elite, the phrase I tell you I can support the live, I can require much perseverance in the back support ah! After the death of his father, Michael can be more alone in his soul who no longer fit with them, the only position to understand the situation of living in The Godfather father passed away, this feeling in the second part of the Michael the performance of a dialogue with the mother head. Very dark color processing room, the only light is lit the flame of the fireplace Michael half of the face, indicate that he is extremely ambivalent. He asked his mother: the idea of telling my father, he is very strong, For the family firm, the family he failed before? ... ... This is not my loss, but the entire family out. Mother said: You can not let the whole family out ah. Can be said that the important task of the whole family to bear by one Michael, he has been trying to make his strong, in order not to lose the family and strong, but the firm was behind poignant loneliness. Michael from man to the godfather of the transformation process is to some extent reflected the lives of everyone it? Perhaps the tragedy of life and human nature alone, is really the fate of mankind. People - Godfather Review of Michael's life, we must ask that this tragic and lonely thing behind it? What caused the tragedy of Michael it? I think people with power, institutional and social opposition between the eternal. Human nature is complex, because people always in the id, ego, superego constant balance. This balance involves not only individuals, but has a more complex social reasons. Person as an individual, in the process of integration will continue to lose their own nature, and Michael is even more special, because he has to complete one from a pure to the changing role of godfather. This shift was looking forward to the family and other factors continue to contribute to society's expectations. In this process, factors to suppress the self to a minimum, because the more a person to become part of the established rules, the more to reduce the proportion of self. In this conversion, he faces is a powerful system, but the special nature of the role of godfather to Michael Powers and evil must be faced with the problem throughout society, in which the relationship between human nature is fully reflected in the dark side, the individual person's role in this most vulnerable groups have to face their own form from the darkest abyss, if you can not be part of it, it can only become a victim of its reality. The abyss has a religious aura, has a shocking and bloody, with the cloak of civilization, but the deepest of which is the integration of evil human nature. Group of people who are poor from the ancient hard to survive in the natural environment of the important reasons to the present, but also human nature to become the best stage show. Relations in groups, to establish a balance between the human constraints of the system, but the rule-makers and actors out of the same nature, which determined that the nature of the system. However, this system has a strong binding to human, they do not act according to the system will be eliminated, so the people will never have to sacrifice their own sake only system, it is also this makes Michael constantly lose sight of yourself to be thrown into darker situation. If in the first "Godfather" in Connie's children to complete in the holy water of baptism wash away that Michael to the baptism of blood at the same time completed the transformation from the individual to the Godfather, if he does not do that, his life offerings will be another evil, which, in essence, reveals the top of power between the human relationship. "The Godfather" to express a character through which, in fact, the problem of all mankind, the individual is helpless, they can not escape the old godfather said he is fighting the end of their refusal to become a big shot in the hands of the doll, the one is to become the so-called big man, Michael also followed such a trajectory, the tragedy for the individual as the only means to survive. In such circumstances, the individual alone with nature is always a state of mind, which in this environment is still the only source of conscience, which alone comes from individual and group conflict can never be reconciled, the person impossible for the integration of groups than when alone, because the group is the integration of me, but always the potential of self mind, silently looking at everything, which is why people are the cause of individual existence. Self by various factors from the extrusion group, faced with the expense of their own at any time for a balanced position. It is the only support comes from the kinship of mankind, this is the only pure natural relationship, a real dilemma when faced with the export of the ideal, always hopes future generations, or to find a soul all his actions support, this is one of the human virtues, completely without the purpose of self-sacrifice exists only in such a relationship. However, when people have lost their last hope that when everything is completely back to the dark abyss, lonely and always linger in the mind become inescapable in the state. Michael from man to the godfather of the transformation process is to some extent reflected the lives of everyone it? Perhaps the tragedy of life and human nature alone, is really the fate of mankind.

        英語作文影評500

        314 評論(15)

        vicki瑤瑤

        This is a concerning a New York girl of story.Her name is Mia Thermopolis, she was born in New York in the United States.She is like other girls similar go to school and learn the knowledge.When her 16 years old, she met her grandmother who the Genovia’s Queen.And she just knows that she is a Princess of the Genovia.She have to accepted the " princess lessons" and she need to be a good princess in three weeks.At first, she would not like to go to admit that she is a princess.But her father help she, and tell her" The brave may not live forever, but the cautious do not live at all."She is really no good at speech .She always get nervous that she usually faint or run away.But on the dancing party, she fluently speak" she chooses to be the Princess of Genovia ".At the last, Mia becomes a brave, kind and strong girl.I' m crazy about this film.I think this film told us that we need become brave and strong.I like this character of Mia very much and I want to become a girl like she.

        213 評論(13)

        設(shè)計(jì)監(jiān)理

        "The Princess Diaries 2: Royal Engagement" offers the prudent critic with a choice. He can say what he really thinks about the movie, or he can play safe by writing that it's sure to be loved by lots of young girls. But I avoid saying that anything is sure to be loved by anybody. In this case, I am not a young girl, nor have I ever been, and so how would I know if one would like it? Of course, that's exactly the objection I get in e-mails from young readers, who complain that no one like me can possibly like a movie like this. They are correct. I have spent a long time, starting at birth and continuing until this very moment, evolving into the kind of person who could not possibly like a movie like this, and I like to think the effort was not in vain. So to girls who think they might like this movie, I say: Enjoy! Movies are for fun, among other things, and if you love "Princess Diaries 2," then I am happy for you, because I value the movies too much to want anyone to have a bad time at one. But to Garry Marshall, the often-talented director of the original "Princess Diaries" as well as this sequel, I say: Did you deliberately assemble this movie from off-the-shelf parts or did it just happen that way? The film is like a homage to the cliches and obligatory stereotypes of its genre. For someone like Marshall, it must have been like playing the scales. The beautiful Anne Hathaway, still only 22, stars as Princess Mia. You will remember that she was a typical American teenager whose mother raised her in a converted San Francisco firehouse, where she could slide down the pole every morning. Then a visit from Queen Clarisse of Genovia (Julie Andrews) revealed that she was, in fact, the queen's granddaughter, and next in line to the throne. In Part 2, she is the beloved Princess Mia of Genovia, a kingdom the size of a movie set, which is apparently located somewhere in Europe and populated by citizens who speak American English, except for a few snaky types with British accents. This kingdom has two peculiarities: (1) The shops and homes all seem to be three-quarter-scale models of the sorts of structures an American Girl doll would occupy, and (2) A great many of the extras get a few extra frames, in order to look uncannily as if they might be personal friends of the director. So many prosperous men in their 60s, so well-barbered, groomed and dressed, so Southern California in their very bearing, are unlikely to be visiting Genovia for any other reason, since the kingdom doesn't seem to have a golf course. There's no need for me to spoil the plot; as I was saying just the other day about "The Village," it spoils itself. If I were to describe the characters, you could instantly tell me what happens in the movie. Let's try that, as an experiment. There is Princess Mia, who is given a deadline of one month to either marry or forfeit her rights to the throne. The evil Viscount Mabrey (John Rhys-Davies) wants to disqualify her because his nephew Sir Nicholas (Chris Pine) is next in line to the throne. Desperate for a husband and learning that Queen Clarisse was perfectly happy in an arranged marriage, Mia decides to marry for the love of her country. A suitable bachelor is discovered: the nice Andrew Jacoby, Prince of Kensington (Callum Blue). Mia accepts his proposal, despite, as she writes in her diary on the movie's Web site, "He's everything a girl should want in a husband-to-be. It's ... just that ... something ... you know." Meanwhile, of course she hates the handsome young Sir Nicholas, who hangs around a lot and annoys her. Dear Diary: "Just look at him ... all sneaky and smug ... and ... cute." OK now, given those clues, see if you can figure out who she ends up with. And for that matter, consider Joseph (Hector Elizondo), the chief of palace security. He has been in love with the widow Clarisse for years, and she knows it and is pleased. That provides us with a romance without closure that has persisted ever since the first movie, and if there is anything nature abhors more than a vacuum, it is a loving couple kept asunder, when they should be sundering. Director Marshall puts his cast and plot through their paces with the speed and deliberation of Minnesota Fats clearing the table. He even provides a fountain for two characters to stand beside, so they can illustrate Gene Siskel's maxim that nobody in a comedy ever comes within 10 yards of water without falling in. Yes, it's nice to see Julie Andrews looking great and performing a song, although the line "Give the queen a shout-out, and she'll sing" is one I doubt will ever be heard in Buckingham Palace. It is also rather original that at her slumber party, Mia and her friends don't get wasted at a private club, but engage in the jolly indoor sport of mattress surfing. All that remains is for me to remind you that on Aug. 24, the DVD of "Ella Enchanted" will be released. A box-office flop that was wrongly overlooked earlier this year, it also stars Anne Hathaway. It's a wonderful, lighthearted fantasy based on Cinderella, and is sure to be loved by lots of young girls.

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