狐貍不會飛
美文,大概就是美的化身,它是一種情感,一種體驗和一種表達。下面是我?guī)淼慕?jīng)典英語美文摘抄，歡迎閱讀!經(jīng)典英語美文摘抄篇一 什么東西比金錢更重要 It is physically impossible for a well-educated intellectual, or brave man to make money the chief object① of his thoughts; as physically impossible as it is for him to make his dinner the principal object of them. 一個受過良好 教育 、有頭腦的、有膽識的人完全不可能將金錢當作他考慮的主要對象，正如他完全不可能將美餐當做他主要考慮對象一樣。 All healthy people like their dinner, but their dinner is not the mainobject of their lives. So all healthy-minded people like making money--ought to like it and to enjoy the sensation② of winning; but the main object of their lives is not money; it is something better than money. 所有健康的人都喜歡享用美餐，但美餐并不是他們生活的主要目標。同樣道理，所有思想健全的人都喜歡掙錢--喜歡并體驗掙到鈔票的興奮感是正當?shù)?然而，他們生活的主要目標并不是金錢，而是比金錢更珍貴的東西。 A good soldier, for instance③, mainly wishes to do his fighting well. He is glad of his pay--very properly so --and justly grumbles④ when you keep him ten months without it; still, his main notion⑤ of life is to win battles, not to be paid for winning them. 例如，一位優(yōu)秀的士兵主要想打好仗。他為自己的薪餉感到高興--完全合乎情理;假如，你扣發(fā)他十個月軍餉，他發(fā)牢騷理所應當。不過，他的人生主要目標仍然是打勝仗，并非為了薪餉而打勝仗。 So too of doctors. They like fees no doubt--ought to like them; yet the entire object of their lives is not fees. They, on the whole desire to cure the sick, would rather cure their patients and lose their fee than kill them and get it. And so with all other brave and rightly trained men: their work is first, their fee is second, very important always, but still second. 醫(yī)生也是如此。毫無疑問，他們都喜歡收診費--本應如此;然而他們?nèi)松娜磕繕瞬⒉皇窃\費。總的說來，他們都想把病人治好，而且寧愿把病人治好而得不到診金，也不愿為了診金而把病人治死。所有其他有膽識的、受過正當培訓的人也是如此：他們總是工作第一、報酬第二。報酬盡管總是非常重要，但還是第二。 But in every nation, there is a vast class of people who are cowardly⑥, and more or less stupid. And with these people, just as certainly the fee is first and the work second, as with brave people the work is first and the fee second. 可是，在每個國家，都有一大批怯懦的、多少有點愚蠢的人。對于這些人而言，無疑是報酬第一、工作第二，正如有膽識的人工作第一、報酬第二一樣。 And this is no small distinction⑦. It is the whole distinction in a man. You cannot serve two masters; you must serve one or the other. If your work is first with you, and your fee is second, work is your master. 這決非細微差異，這是根本性差異，區(qū)分一個人的根本性差異。你不能侍奉兩個主人，你必須侍奉其中一個，非此即彼。假如就你而言是工作第一、報酬第二，那么工作就是你的主人。 Observe, then, all wise work is mainly threefold⑧ in character. It is honest, useful, and cheerful. I hardly know anything more strange than that you recognize honesty in play, and do not in work. 請注意，一切明確的工作本質(zhì)上都具有三重性：誠實、有用和愉悅。人們在娛樂中講究誠實而在工作中卻不講誠實--據(jù)我所知，沒有比這更奇怪的事情了。 In your lightest games you have always someone to see what you call "fair play". In boxing you must hit fair; in racing, start fair. Your watchword is fair play; your hatred, foul play. Did it ever strike you that you wanted another watchword⑨ also, fair work, and another hatred also, foul⑩ work? 在最不重要的比賽中，你總是請人做裁判，確保人們常說的公平競賽。 拳擊 中，你出拳必須公正;賽跑時，你起跑必須公正。你的 口號 就是公正比賽，你所深惡痛絕的就是違反規(guī)則。那么，你可曾想過，你還需要另一個口號，那就是老老實實地工作;你深惡痛絕的應是投機取巧。 經(jīng)典英語美文摘抄篇二 Mother & Child 媽媽與孩子 It was Christmas 1961. I was teaching in a small town in Ohio where my twenty-seven third graders eagerly anticipated the great day of gifts giving. 那是1961年的 圣誕節(jié) 。我在俄亥俄州的一個小鎮(zhèn)上教小學三年級。班上27個孩子都在積極參加"禮物贈送日"的活動。 A tree covered with tinsel and gaudy paper chains graced one corner. In another rested a manger scene produced from cardboard and poster paints by chubby, and sometimes grubby, hands. Someone had brought a doll and placed it on the straw in the cardboard box that served as the manger. It didn't matter that you could pull a string and hear the blue-eyed, golden-haired dolly say, "My name is Susie." "But Jesus was a boy baby!" one of the boys proclaimed. Nonetheless, Susie stayed. 教室的一角被一棵樹裝點得熠熠生輝，樹上綴滿了金銀絲帛和華麗的彩紙。教室的另一角是一個涂著海報油彩由紙板制成的馬槽，這出自孩子們那胖乎乎、臟兮兮的小手。有人帶來了一個娃娃，把它放在紙板槽里的稻草上(假裝小耶穌)。只要拉拉它身上的一條細繩，這個藍眼睛、金發(fā)的娃娃就會說道，"我叫蘇西"，不過這都沒有關系。一個男孩提出："耶穌可是個小男孩呀!"不過蘇西還是留了下來。 Each day the children produced some new wonder -- strings of popcorn, hand-made trinkets, and German bells made from wallpaper samples, which we hung from the ceiling. Through it all she remained aloof, watching from afar, seemingly miles away. I wondered what would happen to this quiet child, once so happy, now so suddenly withdrawn. I hoped the festivities would appeal to her. But nothing did. We made cards and gifts for mothers and dads, for sisters and brothers, for grandparents, and for each other. At home the students made the popular fried marbles and vied with one another to bring in the prettiest ones. " You put them in a hot frying pan, Teacher. And you let them get real hot, and then you watch what happens inside. But you don't fry them too long or they break."So, as my gift to them, I made each of my students a little pouch for carrying their fried marbles. And I knew they had each made something for me: bookmarks carefully cut, colored, and sometimes pasted together; cards and special drawings; liquid embroidery doilies, hand-fringed, of course. 每天孩子們都會做點兒新玩意--爆米花串成的細鏈子、手工做的小裝飾品和墻紙樣做的德國式風鈴，我們把這些風鈴掛在了天花板上。但自始至終，她都是孤零零地遠遠觀望，仿佛是隔了一道幾里長的障礙。我猜想著這個沉默的孩子發(fā)生了什么事，原來那個快樂的孩子怎么突然變得沉默寡言起來。我希望節(jié)日的活動能吸引她，可還是無濟于事。我們制作了許多卡片和禮物，準備把它們送給爸爸媽媽、兄弟姐妹、祖父母和身邊的同學。學生們在家里做了當時很流行“油炸"玻璃彈子，并且相互比著，要把最好看的拿來。"老師，把玻璃彈子放在熱油鍋里，讓它們燒熱，然后看看里面的變化。但不要炸得時間過長否則會破裂。"所以，我給每個學生做了一個裝"油炸彈子"的小袋作為禮物送給他們。我知道他們每個人也都為我做了禮物：仔細剪裁、著色，或已粘集成串的書簽; 賀卡 和特別繪制的圖片;透明的鑲邊碗碟墊布，當然是手工編制的流蘇。 The day of gift-giving finally came. We oohed and aahed over our handiwork as the presents were exchanged. Through it all, she sat quietly watching. I had made a special pouch for her, red and green with white lace. I wanted very much to see her smile. She opened the package so slowly and carefully. I waited but she turned away. I had not penetrated the wall of isolation she had built around herself. 贈送禮物的那天終于到了。在交換禮物時我們?yōu)閷Ψ接H手做的小禮品不停地歡呼叫好。而整個過程，她只是安靜地坐在那兒看著。我為她做的小袋很特別，紅綠相間還鑲著白邊。我非常想看到她笑一笑。她打開包裝，動作又慢又小心。我等待著，但是她卻轉(zhuǎn)過了身。我還是沒能穿過她在自己周圍樹起的高墻，這堵墻將她與大家隔離了開來。 After school the children left in little groups, chattering about the great day yet to come when long-hoped-for two-wheelers and bright sleds would appear beside their trees at home. She lingered, watching them bundle up and go out the door. I sat down in a child-sized chair to catch my breath, hardly aware of what was happening, when she came to me with outstretched hands, bearing a small white box, unwrapped and slightly soiled, as though it had been held many times by unwashed, childish hands. She said nothing. "For me?" I asked with a weak smile. She said not a word, but nodded her head. I took the box and gingerly opened it. There inside, glistening green, a fried marble hung from a golden chain. Then I looked into that elderly eight-year-old face and saw the question in her dark brown eyes. In a flash I knew -- she had made it for her mother, a mother she would never see again, a mother who would never hold her or brush her hair or share a funny story, a mother who would never again hear her childish joys or sorrows. A mother who had taken her own life just three weeks before. 放學后，學生們?nèi)齻z倆地離開了，邊走邊說著即將到來的圣誕節(jié)：家中的圣誕樹旁將發(fā)現(xiàn)自己心系已久的自行車和嶄新發(fā)亮的雪橇。她慢慢地走在后面，看著大家擁擠著走出門外。我坐在孩子們的小椅子上稍稍松了口氣，對要發(fā)生的事沒有一點準備。這時她向我走來，雙手拿著一個白色的盒子向我伸過來。盒子沒有打包裝，稍有些臟。好像是被孩子未洗過的小手摸過了好多遍。她沒有說話。"給我的嗎?"我微微一笑。她沒出聲，只是點點頭。我接過盒子，非常小心地打開它。盒子里面有一條金色的鏈子，上面墜著一塊閃閃發(fā)光的“油炸"玻璃彈子。然后我看著她的臉，雖只有8歲，可卻是成人的表情。在她深棕色的眼睛里我找到了問題的答案。我在一瞬間明白過來--這是她為媽媽做的項鏈，她再也見不到的媽媽，再也不能抱她、給她梳頭或一起講 故事 的媽媽。她的媽媽已再也不能分享她充滿童稚的快樂，分擔她孩子氣的憂傷。就在3個星期前她的媽媽離開了人世。 I held out the chain. She took it in both her hands, reached forward, and secured the simple clasp at the back of my neck. She stepped back then as if to see that all was well. I looked down at the shiny piece of glass and the tarnished golden chain, then back at the giver. I meant it when I whispered," Oh, Maria, it is so beautiful. She would have loved it."Neither of us could stop the tears. She stumbled into my arms and we wept together. And for that brief moment I became her mother, for she had given me the greatest gift of all: herself. 我拿起那條鏈子。她用雙手接過它，向前探了探身，在我的脖子后把簡易的項鏈鉤系好。然后她向后退了幾步，好像在看看是否合適。我低下頭看著閃閃發(fā)亮的玻璃珠和已失去光澤的金色鏈子，然后抬起頭望著她。我很認真地輕聲說道：“哦，瑪麗亞，這鏈子真漂亮。你媽媽一定會喜歡的。"我們已無法抑制住淚水。她踉踉蹌蹌地撲進我的懷里，我們都哭了。在那短暫的一刻我成了她的媽媽，而她送給了我一份最珍貴的禮物：她的信任和愛。By Patricia A. Habada 經(jīng)典英語美文摘抄篇三 FAMILY FAMILY= (F)ATHER (A)ND (M)OTHER, (I) (L)OVE (Y)OU A man came home from work late, tired and irritated, to find his 5-year old son waiting for him at the door. Daddy, may I ask you a question? Yeah sure, what is it? replied the man. Daddy, how much do you make an hour? That's none of your business. Why do you ask such a thing? the man said angrily. I just want to know. Please tell me, how much do you make an hour? pleaded the little boy. If you must know, I make $20 an hour. Oh, the little boy replied, with his head down. Looking up, he said, Daddy, may I please borrow $10? The father was furious, If the only reason you asked that is so you can borrow some money to buy a silly toy or some other nonsense, then you march yourself straight to your room and go to bed. Think about why you are being so selfish. I work hard everyday for such this childish behavior. The little boy quietly went to his room and shut the door. The man sat down and started to get even angrier about the little boy's questions. How dare he ask such questions only to get some money? After about an hour or so, the man had calmed down, and started to think: Maybe there was something he really needed to buy with that $10 and he really didn't ask for money very often. The man went to the door of the little boy's room and opened the door. Are you asleep, son? He asked. No daddy, I'm awake, replied the boy. I've been thinking, maybe I was too hard on you earlier, said the man, It's been a long day and I took out my aggravation on you. Here's the $10you asked for. The little boy sat straight up, smiling. Oh, thank you daddy! He yelled. Then, reaching under his pillow he pulled out some crumpled up bills. The man, seeing that the boy already had money, started to get angry again. The little boy slowly counted out his money, then looked up at his father. Why do you want more money if you already have some? the father grumbled. Because I didn't have enough, but now I do, the little boy replied. Daddy, I have $20 now. Can I buy an hour of your time? Please come home early tomorrow. I would like to have dinner with you.
空山微風
巴黎文化
Ah, beautiful paris. For centuries this city has attracted the admiration of the an outdoor concert nearby classical, jazz, opera or chansons, those French folk songs. parisians love their music. The starry sky is their auditorium. You can also hear concerts in the chateaux and cathedrals. In paris the Music never ends.
Don't miss the highlight of paris evening: eating out. parisians are proud of their cuisine. And rightly so; it's s up in front of you the Notre Dame Cathedral （Cathedral of Our Lady）。 Stand in the square in front of the cathedral. Here, you are standing in the center of France. All distances are measured from the front of Notre Dame. Every road in France leads to her front door. All French kings and leaders have journeyed here to commemorate important occasions and give thanks. Notre Dame is the heart ofparis and the heart of France.
Your visit in paris has only just begun. You've just started to discover the charm ofthis old city. May the rest of yourjoumey be unforgettable. pany,even panion that es home at night he cannot sit doy that the latter does, though it may be a more condensed form of it.
大部分時候，我發(fā)現(xiàn)獨處都是有益于健康的。有人陪伴，即使是最好的同伴，不久也會心生厭煩，興致將消散。我愛獨處。我沒有遇見比孤獨更好的伴侶了。我們置身國外，立行人群之中，通常比獨處室內(nèi)更加寂寞。一個思考著的或工作著的人總是孤獨的，就讓他去他想去的地方吧。孤獨不是以和同伴之間的距離里程來衡量的。真正勤奮的學生，在劍橋?qū)W院一個擁擠的蜂房里，就像沙漠中的苦行僧一樣孤單。農(nóng)夫可以整日在田間或林中獨自工作，耕地或者伐木，卻并不感到寂寞，因為他有活兒干；可是當他晚上回到家中，卻不能在房間坐下獨自思考，而必須去“能看到鄉(xiāng)親”的地方消遣娛樂，正如他所想的，去補償他五天的孤寂；因此他不明白學生如何可以整日整夜地獨坐在家里，而不感到倦怠和“優(yōu)郁”；但他沒有意識到，學生雖然身處室內(nèi)，卻依然在自己的田野上耕耘，在自己的森林中采伐。就像農(nóng)夫在他的田地林間工作一樣，之后學生也和農(nóng)夫一樣要去尋求消遣，山要去交朋結友，只是娛樂方式可能更加簡明一些。
短篇英語美文摘抄（三）
e to open war.ter if there were but one inhabitant to a square mile, as where I live.The value of a man is not in his skin.
我們相聚的時間十分短暫，沒有足夠的時間讓彼此獲得任何有價值的新事物。我們在一日三餐的時候見面，我們就如陳腐的奶略，卻讓彼此相互品嘗出新味道。我們必須一致同意若干條規(guī)則，也就是我們所謂的禮節(jié)和禮貌，使這種經(jīng)常的聚會相安無事，我們還要一致同意我們沒有爭吵的必要。我們在郵局碰面，在社交場合碰面，每天晚上在爐火邊碰面；我們生活得很擁擠，相互干擾，彼此牽絆，我想，我們因此失去了對彼此的尊重。當然，所有重要的、真誠的溝通，次數(shù)少一些就足夠了。想一想工廠里的女工——永遠不會獨處，甚至在夢中也難得是獨自一人。如果一平方英里只有一個居民，就像我這樣，那要好多了。一個人的價值不在于他的外在。
Man's youth is a e to.
為什么如此？因為在青春時代，生活充滿了奇特而辛酸的不可思議的事。我們在青春年少時帶著悲喜交集的心情，十分強烈而不可名狀地感受到人生的奇特辛酸、不 可思議的經(jīng)歷。其實質(zhì)是什么呢？其實質(zhì)是這樣的：青春年少的時候，雖然殷實富足，卻非常貧窮；雖然力氣強大，卻一無所有；世間的富貴榮華觸目皆是，簡直可 以呼吸到，聞到嗅到，還可以品嘗到，心中的自信按捺不住，深切地感受到整個被陶醉了的生活——人類迄今為止所知道的最幸運、最富有的美好幸福的生活， 只要我們決定向前邁步，奮發(fā)努力，便立即歸我們所有了，并將永遠屬于我們。然而，我們知道，我們真的永遠不能抓到什么，永遠不能獲得什么，永遠不能占有什 么。一切匆匆過去，蕩然無存。我們一出手它就煙消云散，飄然而去，一去不復返了。于是，心中泛起陣陣隱痛，看到了自己真實的面孔，看到了自己未來生活的必 然走向。
英語美文摘抄（三）
A young man is so strong， so mad， so certain， and so lost. He has everything and he is able to use nothing. He hurls the great shoulder of his strength forever against phantasmalbarriers， he is a parison.
青年人非常堅強，狂熱自信，但容易迷惘混沌，雖然機緣無數(shù)，卻把握不住，雖然身強體壯，試圖沖破重重虛幻的屏障，卻如同一個波浪，最終還是無力地消失在曠 遠浩淼的大海中央，他伸出手想要抓住斑斕的云煙，他想得到世間的萬物，渴望主宰一切，最終卻是一無所獲。最后，他被自己的力量所毀滅，被自己的饑餓所吞 食，被自己的財富弄得貧窮潦倒。他對金錢或財富的積累不以為意漫不經(jīng)心，然而最終還是被自己的貪欲所吞噬。
英語美文摘抄（四）
And that is the reason why， when youth is gone， every man will look back upon that period of his life with infinite sorrow and regret. It is the bitter sorrow and regret of a man who knows that once he had a great talent and wasted it ， of a man who knows that once he had a great treasure and got nothing from it ， of a man who knows that he had strength enough for everything and never used it.
青春消逝，驀然回首，無論是誰，心中都會充滿無盡的憂傷，充滿無窮的懊悔。曾經(jīng)才智卓越，卻白白浪費了，曾經(jīng)財富殷實，卻一無所有，曾經(jīng)本事高強，卻從未利用。一個認識到自己失落青春的人回憶起來總是充滿悲傷和懊悔。
英語美文摘抄帶翻譯（一）
ent. It is as if a single unimportant event set up a chain of reactions. Let us suppose that you are preparing a meal and keeping an eye on the baby at the same time. The telephone rings and this marks the prelude to an unforeseen series of
catastrophes. an immediately behind the t all this confusion, for they greedily devoured dust is usually a forbidding place. But no one has to muster up courage to enter a less pretentious antique shop. There is alething e in, but that he could not be bothered to open it. Frank begged him to do so and the dealer reluctantly prised it open. The contents of the packing-case. As its composition and line reminded him of an Italian painting he kne behind one of the e from one of the chimneys, but as there were so many of them, the firemen could not be certain which one it was. They located the right chimney by tapping at the walls and listening for the man's cries. After chipping through a wall which was eighteen inches thick, they found that a man had been trapped in the chimney. As it was extremely narrow, the man was unable to move, but the firemen were eventually able to free him by cutting a huge hole in the wall. The sorry-looking, blackened figure that emerged, at once admitted that he had tried to break into the shop during the night but had got stuck in the chimney. He had been there for nearly ten hours. Justice had been done even before the man was handed over to the police.
"正義"這個詞常常是同法庭連在一起的。當某人被證據(jù)確鑿地證明無罪的時候，我們也許會說正義得到了伸張。正義是復雜的法律機器組成部分。那些尋求正義的人走的是一條崎嶇的道路，從來沒有把握他們最終將到正義。法官無論如何聰明與有名，畢竟也是人，也會出差錯的。
在個別情況下，正義不再是一種抽象概念。獎懲的實施是不受人意志支配的。在這種時候，正義像一種有生命的力量行使其職能。當我們說"他罪有應得"這句話的時候，我們部分承認了某種特定的環(huán)境使得正義自動地起了作用。
一天上午，當一個小偷在一家大型珠寶店里被人抓住的時候，店員一定會忍不住說："他罪有應得。"那是一座老式的、經(jīng)過改造的房子，店里有許多廢置不用的大壁爐和又高又窄的煙囪?？斓街形绲臅r候，一個女售貨員聽見從一堵墻里傳出一種悶聲悶氣的叫聲。由于這種喊叫聲重復了幾次，她跑去報告經(jīng)理，經(jīng)理當即給消防隊掛了電話。喊叫聲肯定是從煙囪里傳出來的，然而，因為煙囪太多，消防隊員無法確定到底是哪一個。他們通過叫擊煙囪傾叫聲而確定傳出聲音的那個煙囪。他們鑿透了18英寸厚的墻壁，發(fā)現(xiàn)有個人卡在煙囪里。由于煙囪太窄，那人無法動彈。消防隊員在墻上挖了個大洞，才終于把他解救出來。那個看來滿臉沮喪、渾身漆黑的家伙從煙囪里一出來，就承認頭天夜里他企圖到店里行竅，但讓煙囪卡住了。他已經(jīng)在煙囪里被困了將近10個小時。甚至在那人還沒被送交給警察之前，正義就已得到了伸張。
If the past has taught us anything,it is that every cause brings effect -- every actionhas a consequence.This thought,in my opinion,is the moral foundation of the universe; it applies equally in this e ething simple can completely reshape your life.It's just like the Butterfly Effect and you never knopetition the human heart.
Ah, hoence, interest in attainment, and regard for posterity.
We do not choose to be born. We do not choose our parents. We do not choose our historical epoch, the country of our birth, or the immediate circumstances of our upbringing. We do not, most of us, choose to die; nor do we choose the time or conditions of our death. But within all this realm of choicelessness, we do choose how we shall live: courageously or in cowardice, honorably or dishonorably, with purpose or in drift. We decide what is important and what is trivial in life. We decide that what makes us significant is either what we do or what we refuse to do. But no matter how indifferent the universe may be to our choices and decisions, these choices and decisions are ours to make. We decide. We choose. And as we decide and choose, so are our lives formed. In the end, forming our own destiny is what ambition is about.
抱負
一個缺乏抱負的世界將會怎樣，這不難想象?；蛟S，這將是一個更為友善的世界：沒有渴求，沒有磨擦，沒有失望。人們將有時間進行反思。他們所從事的工作將不是為了他們自身，而是為了整個集體。競爭永遠不會介入；沖突將被消除。人們的緊張關系將成為過往云煙。創(chuàng)造的重壓將得以終結。藝術將不再惹人費神，其功能將純粹為了慶典。人的壽命將會更長，因為由激烈拼爭引起的心臟病和中風所導致的死亡將越來越少。焦慮將會消失。時光流逝，抱負卻早已遠離人心。
啊，長此以往人生將變得多么乏味無聊！
有一種盛行的觀點認為，成功是一種神話，因此抱負亦屬虛幻。這是不是說實際上并不豐在成功？成就本身就是一場空？與諸多運動和事件的力量相比，男男女女的努力顯得微不足？顯然，并非所有的成功都值得景仰，也并非所有的抱負都值得追求。對值得和不值得的選擇，一個人自然而然很快就能學會。但即使是最為憤世嫉俗的人暗地里也承認，成功確實存在，成就的意義舉足輕重，而把世上男男女女的所作所為說成是徒勞無功才是真正的無稽之談。認為成功不存在的觀點很可能造成混亂。這種觀點的本意是一筆勾銷所有提高能力的動機，求取業(yè)績的興趣和對子孫后代的關注。
我們無法選擇出生，無法選擇父母，無法選擇出生的歷史時期與國家，或是成長的周遭環(huán)境。我們大多數(shù)人都無法選擇死亡，無法選擇死亡的時間或條件。但是在這些無法選擇之中，我們的確可以選擇自己的生活方式：是勇敢無畏還是膽小怯懦，是光明磊落還是厚顏無恥，是目標堅定還是隨波逐流。我們決定生活中哪些至關重要，哪些微不足道。我們決定，用以顯示我們自身重要性的，不是我們做了什么，就是我們拒絕做些什么。但是不論世界對我們所做的選擇和決定有多么漠不關心，這些選擇和決定終究是我們自己做出的。我們決定，我們選擇。而當我們決定和選擇時，我們的生活便得以形成。最終構筑我們命運的就是抱負之所在。
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